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2018年9月26日 · <p>These drawings of a dining table formed the basis for Sarah Wigglesworth’s design of the Straw Bale House (2001)</p>

What is a good room? For this issue, The Architectural Review asked architects, curators and writers to describe a good domestic setting – real, remembered or imagined. For some, the room is one designed by Álvaro Siza or Jean-François Zevaco; for others, it is one depicted in an artwork, from a Berliner Zimmer in an 1845 painting by Adolph Menzel, to …

1993年2月17日 · CHANDIGARH Of course, the commissions that Le Corbusier and his team undertook in India have to be considered in the context of that country. In a letter to Jane Drew, Maxwell Fry and Pierre Jeanneret (December 1951) Le Corbusier described their task as: ‘To give India the Architecture of Modern Times, Modern Techniques, Modern Mind, and adaptation to the surrounding conditions that are ...

The bathroom door is open, as it usually is. The painting by Chung Eun-Mo is the same, writes architect Tom de Paor of an ongoing project

In this short graphic novel, Zosia Dzierżawska explores the ways rooms change and interact with each other Swipe the image to see both spreads; click to view in full screen

1997年8月16日 · Resonant with an elemental materiality and full of myriad therapeutic delights, Peter Zumthor’s thermal baths at Vals are conceived as a cavernous, labyrinthine haven devoted to sensual pleasure

2012年4月24日 · Biography. Augustus Welby Northmore Pugin 1812-1852. Education Christ’s Hospital, Newgate Taught to draw by his father. Key buildings Houses of Parliament, London (1844)

Originally published in AR February 1988, this piece was published online in March 2018 in connection with the publication of AR April 2018 on Rethinking the Rural. Partly to recapture the wellsprings of art, the original awe at nature’s variety and sense of oneness with the universe found in primeval art, many sculptors, particularly in …

2017年2月17日 · The impulse behind Morris’s programme also provoked a dramatic escape from the studio, with painters following the Barbizon School in fleeing the cities for the plein air of the countryside – ironically, this was facilitated by the industrial production of paints, which were now available ready-made in tubes. Later, the Impressionists revealed that nature itself had been industrialised ...