Jonas Kaufmann will make his Hong Kong debut this February alongside the Hong Kong Philharmonic Orchestra. This concert ...
Daniel Oren conducts Verdi’s monumental score, with Anna Pirozzi as Aida, Riccardo Massi as Radames, Ekaterina Semenchuk as Amneris and Amartuvshin Enkhbat as Amonasro. An Egyptian Opera? ‘Cyprus; ...
Pairing of two Greek myths by Deborah Warner and Kim Brandstrup is physically and emotionally powerful, with strong ...
BY STEVE MARTINDALE For Salt Spring Film Festival Society The Salt Spring Film Festival’s Best of the Fests series at ...
On a whim 25 years ago, Guyana native Jonnet Solomon purchased the building that once housed the National Negro Opera Company ...
T hroughout February, numerous Pittsburgh-area organizations will celebrate Black History Month with commemorative events and programming. Here is a sampling of what’s happening: ...
The issue of cultural appropriation remains a hot topic in opera. Is it still PC to have Puccini’s Madama Butterfly set in Japan or his Turandot in China? And what is to be done with Verdi’s Aida, a ...
Robert Carsen’s abstract revival of Verdi’s opera feels like a work-in-progress of a dauntingly all-too-topical show ...
It was Peter Gelb, general manager of New York Metropolitan Opera. The principal tenor singing the role of Radamés in the Met’s new staging of Verdi’s “Aida” was fighting a virus.
The last act of which the composer of Aida and Don Carlos, Rigoletto and Otello seems to have been conscious was buttoning up his waistcoat. Giuseppe Verdi spent his last Christmas and saw in his last ...
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