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Hawke plays the legendary Broadway lyricist Lorenz Hart, the writer of classic songs such as “Blue Moon” and “My Funny Valentine”. We meet him in 1943, his glory days long behind him ...

Ethan Hawke and director Richard Linklater brought their new feature Blue Moon to the 2025 Berlin Film Festival, and discussed it along with risks in art during a press conference. According to ...

Before premiering their latest collaboration “Blue Moon” at Berlin Film Festival, Richard Linklater and Ethan Hawke revealed that they have a 10th film together in the works. “Blue Moon ...

Ethan Hawke and Richard Linklater spoke about taking risks in art at the Berlin Film Festival press conference for their new film “Blue Moon” on Tuesday, saying that this diminishes when money ...

That man is lyricist Lorenz Hart (an elfin Ethan Hawke, made stumpy and squat, and fitted with a deeply unfortunate comb-over) — a titan of the American songbook whose influence can still be ...

Ethan Hawke took the opportunity to champion so-called “offensive art”—in this case, his examples include “great punk music or some early Brecht plays that are punk in their sensibility.” ...

Ethan Hawke, Linklater’s friend and frequent collaborator, somehow manages to shrink himself to fit the agitated, alcoholic, short and desperate Hart, now 47, discarded by his former creative ...

Ethan Hawke undergoes a unique physical transformation to give a theatrical but never overplayed performance as a five-foot-tall, sexually ambiguous alcoholic perched precariously on the wagon.

Hawke was joined by co-stars Margaret Qualley, Andrew Scott and director Richard Linklater for a press conference on their new film, 'Blue Moon', premiering at the Berlinale Tuesday. By Lily Ford ...

BERLIN, Feb 18 (Reuters) - U.S. actor Ethan Hawke recalled on Tuesday how he had to wait more than a decade for director Richard Linklater to decide he was old enough to star in his new music ...

Ethan Hawke, speaking at the Berlinale press conference for Richard Linklater’s Blue Moon, said audiences needed to care about offensive art if they wanted it to keep getting made.