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Unexpectedly, yet perhaps inevitably, Evelyn Waugh is becoming more likeable as the years go by. Fifty years dead now, the vile, rude, snobbish, cigar-chomping, ear trumpet-brandishing, ...
I knew a man of Iris Murdoch’s generation, attractive to many women, who told me how he dreaded the ‘fat envelopes’ addressed to him at his office, stuffed with closely written pages. Wonderful though ...
Graham Swift’s new work, a slim novella plainly subtitled ‘A Romance’, is deceptive in its simplicity. By its closing pages, Mothering Sunday has attained a strange grace and power. The story is told ...
If writing a biography is difficult, writing a biography of someone deemed a ‘genius’ is positively perilous. The danger of producing hagiography is all too real, and all too familiar in the history ...
Clients who visited the Mayfair studio of society photographer Hugh Cecil in the 1930s found themselves in a curiously exotic room. The walls were silver and the ceiling was black. Where the fireplace ...
The story surrounding the composition and publication of Crown Jewel affords an interesting example of changing literary taste in the last half century. Its author, a Trinidadian of French Creole ...
‘For me’, writes Dr Coote in his introduction to this Penguin anthology, ‘a gay poem is one that either deals with explicitly gay matters or describes an intense and loving relationship between two ...
In 1944-45, after his suicide attempts and with trial for collaboration an increasingly likely possibility, Drieu La Rochelle blamed his inability to live up to the fascist ideal on his class ...
Stephanie Merritt’s second novel charts a single adulterous relationship from its initial excitement and romance, through complications and confrontations with reality, to its messy end in abandonment ...
Stylisation – the fatal awareness that one is writing just as one used to, only a touch more so – gets us all in the end. With Kingsley Amis it led to a series of late-period novels that threatened to ...
Lydia Davis taught herself Norwegian in order to read his books. Haruki Murakami translated him into Japanese. Karl Ove Knausgaard reveres him. Awarded the Norwegian Critics Prize for Literature an ...
‘Trust the players,’ 89-year-old Bernard Haitink told a twenty-something conductor in Lucerne this spring, ‘they have so much more experience than you do.’ Haitink says relatively little during his ...