Last year, I posited that Boyhood‘s use of 35mm seemed to be a kind of special effect as much as anything: committing to film ensured an internally continuous look over 12 years of production whose ...

"I'm Not a Robot," was also shot on 35mm. 2025 looks set to build on that success. There will be a cohort of prominent movies ...

Walter Salles’ Best International Feature Film winner, “I’m Still Here,” was shot on both 35mm and S8mm by cinematographer Adrian Teijido; and the Best Live Action Short winner, “I’m Not a Robot,” was ...