Mia Butter visits the Kreuzberg studio of Finnish artist Emilia Tikka ahead of her solo show at Schering Stiftung ...

Techno-Reveries: Refik Anadol at Guggenheim Bilbao by Jayne Wilkinson // Mar. 27, 2025. This article is part of our feature ...

Jeffrey Grunthaner reviews the exhibition ‘Aber hier leben? Nein danke. Surrealismus + Antifaschismus’ at Munich’s ...

Libuše Jarcovjáková at KVOST by Olivia Noss // Mar. 18, 2025. Libuše Jarcovjáková is a queer Czech photographer who, over the ...

Nadia Egan interviews members of the collective and an evolving performance series DANCÆ about their recent show ...

The Ottoline Book Prize by Fence—a not-for-profit literary magazine and press based in New York City—is open to full-length poetry manuscripts by any person who identifies as a woman…[read on] ...

After decades of pernickety poststructuralist critique, nothing is neutral or pure anymore—especially in the space of contemporary art where every detail is amplified…[read on] This website uses ...

Ludwig Wittgenstein used the rabbit-duck illusion to observe the interdependent relationship between perception (what is seen immediately) and interpretation (what is seen when one is aware of the ...

Ho Tzu Nyen at Mudam Luxembourg by Nadia Egan // Mar. 3, 2025. This article is part of our feature topic Cycles. Video art can be a tricky medium—it requires an ...